Friday, May 31, 2013

The Struggle for Native Americans


Throughout Sheman Alexie’s stories, there are many references to the crimes committed against Native Americans by white people in the past. He also alludes to the fact that Native Americans harm each other even more than white people may harm them in the present. However, the real root of the problem for Native Americans is the struggle to live between the two worlds. The characters in the stories, “Every Little Hurricane” and “This is What it Means to Say Phoenix, Arizona” show the struggle to not be influenced by the white man’s culture, but still showcase the desire to belong to something more mainstream than reservation life.
 
 
 

In “Every Little Hurricane”, the main way in which white culture is emulated is through the drinking of alcohol which encourages the violence in the story. It is not news to anyone that white men introduced alcohol consumption to Native Americans and they have struggled with alcoholism ever since. This is a prime example of how the characters in the story try to fit into a white man’s world, but it has devastating consequences. The drunken stupors cause the two brothers to fight each other and the parents of Victor to pass out ignoring their son. For Victor, and the reader, this is a symbol of how Native Americans are  either destroying each other or self-destructing. The way Alexie uses weather elements throughout the key passages about these moments of emotional destruction is tied to the connection that Native Americans once had with nature. The hurricane comes that night unnoticed and while the hurricane is not real and is merely a metaphor for the destruction of these lives caused by living in a cultural state of tug of war, it is important that they do not see it coming because they are no longer in tune with nature.
 
 

 

In the other story mentioned, “This is What it Means to Say Phoenix, Arizona”, the fact that Thomas Builds-the-Fire is a storyteller is used to further highlight the struggle for Victor to live in the traditons of his heritage or move forward as a more modernized man. Story telling is a central part of the rich heritage of Native Americans. Thomas Builds-the-Fire always tells stories that have a meaning or moral behind them and because no one wants to cling to that tradition because they are too busy chasing white modernity, people on the reservation ignore him. Victor is annoyed by this quality and it has even invoked violence from him in the past towards Thomas. The act of storytelling is a connection to the past and the Native American heritage, and Victor  admits that not only does he need help from  Thomas, but that he also has a “sudden need for tradition”. There is a defintire struggle there for Victor as he tries to reconcile the past he shares with this person who seems more deeply rooted in the Native American ways whereas Victor seems much more concerned with getting money and the truck from his dead father. This display of greed or valuing material objects which is very much associated with white man’s culture over heritage and family is just another example of the struggle highlighted in these two stories as Native Americans try to reconcile where they belong with where they are in American culture.



 

 

 

5 comments:

  1. This is very interesting. I knew that Thomas was a symbol for the traditions of the past but when you mentioned that Victor's wants for the truck and the money in his father's account as a way for him to let go of his culture and grasp mainstream living, switched a light bulb on in my mind. For both of these short stories, “Every Little Hurricane” and “This is What it Means to Say Phoenix, Arizona” the lack of looking at the long history of self destruction, be it alcholism or separation and migration, is the reason why these characters remain in a state of current disarray.

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  2. This is a great blog post Mary. I like the emphasis on how White Culture influenced Native Americans. I really didn't consider this when I was reading through the stories. You wrote, "Victor seems much more concerned with getting money and the truck from his dead father." Maybe. I'm not sure if I totally agree here. You see at the same time he has a conversation with Thomas about entering the mobile home, and he said that there could be things of value. Thomas questions what things and Victor says "pictures" etc. So in this case Victor is emphasizing non-monetary things.

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  3. I have to agree with Catherine on this blog when discussing what Victor seemed more concerned with. There was definitely emotions during the trip and it wasn't about the money and the truck. You have to considered this in correlation to the stories, they are used to "pushing away" and not experiencing the pain and suffering situations like this bring and I think at the beginning of the story he did just that but after the story from Thomas Builds the Fire Victor began to loosen up and realize there was more than meets the eye in this situation. You have to look below the surface to see what emotions he is expressing by how he does the things he does in the story. Apologizing to Thomas, getting the pictures, and listening to Thomas.

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  4. I do agree that in “This is What it Means to Say Phoenix, Arizona” Thomas is a representation of the past for Victor. That is one reason that Victor ignores Thomas, and beats him up when they were kids, but it is not just Victor that rejects Thomas’ stories, it is the whole community. The community as a whole treat Victor as an outsider, because the community as a whole are rejecting the past. By rejecting their past it causes the community the inability to move forward. It is almost a place of complacency.

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  5. I think Marissa makes an excellent point about your post and the connection you make between Victor's desire to let go of his culture by emphasizing his will to get his dead father's money. It is an eye-opening interpretation of Victor's lack of respect for his culture, in that he brings Thomas along only so he may help him, with no intention of reconnecting with his native roots by way of Thomas' stprytelling. It seems only after he is forced to hear to Thomas' stories during the trip does he begin to LISTEN and understand instead of just hear the stories. I believe Victor does make a transition to understanding his roots and past after the trip.

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